Thursday, June 25, 2009

The Dances: 1

He tells her: I’m eight years old and that’s big enough to look after myself. She smiles and says, but could you look after the dinner? He protests he’s not allowed to use the oven. She knows, because she made the rule. With a short laugh and a rub of his head, mum runs out to the shop. Finally free, he walks into the Good Room where the Good Stereo System is.

He finds the right CD, and turns the volume up. He has to be in position. He gets up on the arm of the sofa, hits play on the remote control and jumps

landing and tumbling behind the sofa with the crash of the music starting. With the music going and the volume up, he throws himself around the room. The last time, when they saw him, they said it was like he was posessed, in the throes or something. She told him to stop. She said don’t do that again, you could hurt yourself, or break something. Later on, when they were having drinks and he should have been in bed, he heard them laughing about it. Well, not her, not mum. As the others laughed, she said there was somehting about it, about his movements, about his eyes, something she didn’t like. The rest laughed some more, and he hid in the bathroom under the stairs when dad came out to freshen up the drinks.

He moves round the whole room in fits and starts, the room where children should be seen and not heard, and should sit still on the sofa and listen so that the adults could bore him as much as they bored each other. They were strange, adults. They seemed restrained in some way that kids weren’t. He guessed this was why they put so many restraints on kids. They were jealous. They worried about money, they complained to each other, sometimes they even called other grown ups assholes and fucking this and fucking that. He knew when this happened he’d be sent to bed, no matter what the time was. They told him not to use the same words they used so freely, and then he was told not to dance when sometimes they danced so much they fell over laughing and knocking red wine to the floor. Once, a friend of his mum’s even danced on the table, asking whether anyone else remembered the time she danced like that in the college bar. She cried later, with his mum cuddling her. Seeing that, he wanted a cuddle, but he was hiding again, meant to be in bed for hours. He thought of going in and saying he had a bad dream, to get the cuddle. He thought better of it and went to bed.

None of this crosses his mind as the music erupts from inside of him. He moves in a series of spasms and jerks. It’s not about rhythm, it’s about sounds. His elbow doubles and straightens with violence as a guitar jangles; fists fly and fall with banging drums, but not crashing cymbals. For the cymbals he falls to the ground completely, figuring out how to get back up for the next bit. He changes between moving by the lyrics or by the music. There’s no plan. It’s about him and the music. Being each other.

Cast under the spell of the music, nothing so domestic as a front door could disturb him. And it doesn’t. Even if he could hear it, he’s definitely not allowed to open it. As it goes, he doesn’t hear it at all. He’ll hear about it later.

He runs around the table, half considering getting up on it. As he considers, he gets on his hunches, tongue out, arms outstretched, hands waving. Dad sometimes laughs at that, his Haka he calls it. He tried it once in school and another boy, Justin, hit him. Then he said he was a freak. He called Justin an asshole. That afternoon he had to account for all this to his mother, his teacher, and, what’s worse, Justin’s mother. Such injustice. Forcing kids to repeat what was said, even though everyone knows it will make them angrier.

He got up on the table. He lifted one leg then the other, kicking up the air, kicking that boy, the asshole, Justin, right in his asshole. He laughs wildly, then swings his arm in a huge arc. Looking down in front of him is the rug, but in front of his mind is Justin. “Fuck you!” he says, louder than the music. “Fuck you! Fuck you asshole!” he screams. His face feels hot, and he steps off the table, curls into a corner of the sofa. Tears are hot on his hands. He has to stop: mum would be worried about him. And besides, he isn’t even allowed have a drink when he’s on this sofa, let alone pour out all this salty water.

He stays like that for some time, tasting his tears from his cheeks, from his hands. He didn’t want to dance just because his mother was out. He wanted to make sure she wouldn’t see him again. She got so upset. He’d hate to feel like this again, not having a cuddle. He sucks air in a big sniff through his nose, just as the song cuts out. He laughs at it, like a fart or something when no one is talking. Another beat, another crash of sounds and noises. Another song!

He likes this one. He is calmer now, but the music is still loud. He is in his own place now, not at home, with the neighbour banging on the door and his mother coming round the corner of the estate. He is where the music is. He gets up, wiping his eyes, determined to stop crying.

He has to build it up. He starts with his hands, rising and falling with the beat because he can’t yet click his fingers the way older kids and adults do. His arms go next, stretching out and in to the left and the right; first one, then the other then both, and he spins himself around. Looking down, he thinks maybe he’s like Jesus, then takes it back in case God or Granny or Grandad or someone was listening. He turns faster and faster, the whole world stopping around him. He likes the idea, so he starts to laugh again, the tears nearly dry in his hot eyes and stinging cheeks. He has forgotten how it started, and he knows there is no end.

Monday, April 13, 2009

Difficulties with Writer's Block

A plot! A plot! My story needs a plot!
There are words and ideas teeming.

The soul, scathed is reeling.
The searching is done and the story is won, but not plot! No plot! No plot!
The mind and the hands composing
- First one, then the other -

Who could bear with such a thing?
Ideas tease out words that tumble from brain to screen,
From the mind to the eye, with no "Where?" or "Why?"
No reason to continue.

But
Read on! Read on!

Friday, April 03, 2009

Poem

The sun is climbing down there
One last, blinding cry, the light's goodbye,
Dazzling the eye from the corner of
A powdered covered sky.

A light blue turns pink, an orangey red,
Tucked under clouds hanging over my head.

I cannot sleep in such daynight.
Thinking and turning
The mind is churning
Close the eyes, but not the mind.

To transend or transgress everything
It is. This sky.

Baby blues and pinks, soft colors
Translucent, transparent, transgressing, transcending,
Everything is moving, from here to then
- never the right time, nor the place -
Tucked under a sky
Turning soon to night that will
Break through to day.

Sunday, March 22, 2009

Happy, But Hated. Why Not?

IT was a great weekend for Irish sport. A shame for me as I don't follow it.
As a zeitgeist whore, I enjoyed the unbridled energy, goodwill and passion of Ireland's grand slam rugby win. Later on, some fellow beat the living shite out of a guy from Central America (who, at time of writing is still in hospital). This time it was considered a triumph for the nation.  I wish I'd blogged on Friday, just after I'd swigged a wine and whined to my wife "You know if they win, someone will declare the recession over...." She, again, rolled her eyes to heaven.
Earlier in the week it was said that the Welsh hated the Irish. Confusion ensued ("no they don't"; "no, indeed, we don't", "we don't care anyway!"; "yes they do!" "no, indeed we do! Do you mind if I take a leek?"). Well, we sorted it out. They hate us now. OR whatsisname, Stephen Phffewyardsshortt Jones. If they don't hate one, they'll hate t'other. I'm sure of it.
The Germans are pissed off with us. Of course, it looks like they'll end up bailing us out of this government-backed bankruptcy that Fianna Fáil (Fine Failers, a teacher of mine once called them) barrelled us toward.
The Americans are annoyed with use because we took their jobs, or so they believe - what with our cut-rate corporate taxes.
Europe is annoyed with us because we were the kid with all the chances who spent fifteen years staring in a mirror and masturbating furiously. Now, we're in serious need of a lover and we're reluctant to take any form of prophylactic that might protect them from contracting something nasty. Also, we were the spawning ground for Libertas, who believe themselves to be the real voice of Europe and want to stymie any attempts at making Europe work efficiently.
We've aggravated Libertas with our constant questioning of their motives. (I must admit, the only thing I've ever agreed with them are these points: Why are Libertas questioned to an extent that no other European party are questioned? Why is there this feeling that if you're pro-EU, why can you not question the way it works?).
But, we're happy. And our happiness pleases me in many, many ways.
First, for the first time in (how long?) fifteen years, our happiness hasn't been predicated on being "the small country punching above its weight" or "one of the richest countries in the world" or "fuckit, we' LOADED!"
We're proud because we 'done good'. Fifteen lads manhandled a pig's stomach in a much more convincing way that fifteen other lads. One lad beat seven shades of shite out of another guy.
But they were Irish. Irish and proud.
And this morning, everyone was happy, smiling even. Smiling! At strangers! Being friendly! I haven't seen it in years. It's not the misty eyed "Here we are, all miserable and happy together". Neither is it "There's more to life than money, and now we've no money, there's more to our life..." It's just the idea that we've all shared this great experience (experiences) and we're enjoying sharing it. We're together again.
Happy but hated, why not?

Wednesday, February 18, 2009

Dark Was The Night

Via Stu

Love this for the widget more than anything else...

still, ho hum. Whistle along!